Category Archives: Books

Love Song for Nancy Drew

This week’s Fashion & Style section of the New York Times included a well-titled tribute to the Nancy Drew mystery book series, “Nancy Drew’s Granddaughters,” and included several choice quotes from many famous and ambitious female political and social figures who read the series as a child. Unfortunately, as sometimes happens with the Times, the short article had the feel of an overedited, in-just-before-the-deadline one-off, and not of the quality tribute that the indomitable Carolyn Keene deserves.

Before I continue, I do want to mention that in the second grade I was heartbroken to find out from our elementary school librarian, Mrs. Lawless, that my heroine Ms. Keene did not, in fact, exist. The Nancy Drew mystery series, which according to the Times piece debuted in the 1930s, was written not by one single author, but by a long series of authors and editors who wrote under the name of Carolyn Keene, a pseudonym. I had inquired with Mrs. Lawless after heading determinedly into the library with pencil and paper in hand, intent on telling the authoress how much I liked her books and how much they meant to me, and that I was waiting for her to publish the next one.

I was young enough at the time that copyright and publication dates meant less than nothing to me, and that pencil and paper would be the instruments assisting in the writing of my communique. Suffice it to say, I was more than a little bit devastated that there in fact was no Carolyn Keene to read and receive my letter. For if Carolyn Keene didn’t exist (and surely, she must!) then to whom could I write?

I was a very, very nerdy child, and I most definitely looked the part. I actually remember the feeling I got while learning to read in Kindergarten, struggling through the “Sam I Am” book series even as I considered them to be more than a little bit unenlightening, although I reluctantly admitted to myself that I was perpetually curious to find out what exactly would happen to Sam on the next page. I remember the daffodil yellow cover of the books, which were really merely pamphlets, and how the little photocopied pages felt in my hands as I triumphed over first one then another page, working my way through the books until I successfully met the release that was the back cover.

In first grade I have a clear memory of sitting in the corner at one of the child-sized low, round tables in Mrs. Whitlock’s classroom, and being embarrassed and annoyed by the lunch-lady (who I ran into at the airport just a few years back, and who still remembered me as the prolific reader in the corner) coming over to praise me for always reading, something I hadn’t necessarily realized I was doing until she pointed it out. The other kids from my class and their day-to-day activities didn’t hold my interest the way the books did, however, a phenomenon that would prove true through at least the first half of high school. I was much more interested in what I was discovering about the world through reading, and in all the great stories that existed to be discovered.

As I grew older I read more and more aggressively, learning to read through the roar of our television, on long car rides, and in class. In particular I read in math class, which I found horribly and unutterably boring, and would hold the book open in my lap behind the little curved plastic desks, pushing it forward almost onto my knees and pressing them up against the desk to pin it there whenever an alert teacher deigned to meander my way during lessons. I was rarely caught or chastised probably, in hindsight, not because I was so crafty with hiding my books (somehow I doubt I got around Mr. Blanchard, my fourth grade teacher, of all people), but because it was so infrequent and likely very amusing to come across a kid who so loved to read that she snuck books between the pages of her math text and sought to craftily hide her reading during other lessons. I attribute both my exceptionally high verbal scores and my exceptionally low math scores to this years-long behavior, and smile now to think of what my teachers must have thought about the little nerd child.

At home I read in the shower,  soaking many a library loaner by pressing the book up against the shower wall with one elbow and quasi-shampooing my hair with my other hand, or by leaving the book on the old radiator with white-chipped-paint just outside the shower doors, anchoring the pages down with the shampoo bottle, and leaving the shower door open.  When I couldn’t find books to read that were yet to be digested, I read shampoo bottles, ingredient lists, classified ads, music lyrics, and (perhaps best of all) my dad’s copies of the ‘Reader’s Digest.” In later years I read books far beyond my years, age, and knowledge of the world, and as a child I read through lunches and classes right up through Middle School, when someone picked up on how bored I was in school and skipped me a year in English and Social Studies, and when the social scene first began to develop and I realized to my surprise that I was intrigued by the possibility of playing a part.

There are several good stories to be told about the nerd child and her great books, and were I to paint you a picture of me during my childhood, you’d find a slender but tall little girl with long, thick brown hair pulled back into a hairband from a great big forehead, wearing some awful printed mock turtle-neck top from Land’s End with teddy bears or images of presents patterned across the material, and  thick aqua-blue plastic glasses two sizes too large for her face. She would be huddled off to the side of a large group of students, the latter of whom were flush in the moment of coming of age, while she herself was engrossed in her canary yellow covered hardcopy book, chin in hand, deep in thought. And between the canary yellow covers in the midst of a great adventure and perhaps more importantly terrific feat of mental reckoning you would find nerdy little me, a plump young girl named Bess, a tomboy named George, and our good friend, Nancy Drew.

Nancy Drew was for me both hero and heroine – she was effeminate (she wore pearls) and also tough, full of sass and not about to take ‘no’ for an answer. She snuck out of the house without fear of the dark or the scary things it could contain, and her friendships were not merely those of young girls learning about the world and themselves, but of alliances, from which she acquired the strengths and abilities she could not find in herself. She was a superhero in a skirt, and even though I occasionally found her perfection and Home Ec-yness (which I might even then have referred to as Home Ickyness) a little too saccharine sweet for my taste, I was always along for the ride, usually tagging along on George’s coattails, as her toughness and resilience were a bit more closely aligned with where I sought to locate myself in the world.  The girls of the Nancy Drew series made me feel strong, and capable, and safe, and the works of Carolyn Keene made me feel normal, and smart, and powerful within my own tiny corner of the world at a time when my growing understanding of myself and how big the world can be most needed that reassurance.

The Times article asked many famous women “who their Nancy Drew was,” and I would say that mine was daring and brave, and took risks with her physical well-being only when she knew that her intellectual abilities and powers of reasoning could get her out of any sticky situation she might find herself in. Indeed, the latter helped her wriggle free from many a prickly situation, and I in my real life (when I actually put down the book long enough to observe it in progress) began to similarly use my own creativity and resourcefulness to get myself out of the sticky situations of the day-to-day life of a grade schooler (of which I don’ t really think there were all that many). From the Drew books I developed the ability to see the world more clearly, when I was attentive enough to it to discern the patterns and causality in grown-up life, and would even today attribute much of my observational aptitude to the good role models that Nancy Drew and her sidekicks provided.

I remember too how exhilarating it was to go to the local library and run my fingers cross-wise along the spines of the 40+ Nancy Drew books that they held from the series, overjoyed with the secret coup-de-grace of a whole bookshelf’s worth of material that, it appeared, only I was clever enough to check out and read. And I remember as well how it felt the day I returned the last books to the library (for I used to check out dozens at a time, taking them home in a large plastic shopping bag imprinted with the acronym of the local librarians’ union), and realized that I had out-read the series – I had finished off Nancy Drew, and in fact had read so many of the works multiple times that there was no longer any more previously overlooked nuances to detect.

It was with a heavy heart then that I moved down a shelf, to the aquamarine blue bindings of the Hardy boys series, which I devoured just as quickly, although with a little less exhilaration than that of Nancy Drew (because ugh! They were boys!), and an even heavier heart that shortly thereafter I returned the last of that series as well. I even now recall the awe and pride of standing in front of the entire mystery section of the children’s room of the library, and seeing that I had read every title across a half dozen floor-to-ceiling shelves, and the sadness that accompanied the understanding that I had moved beyond my old friends, and would have to let them go if I wanted to keep reading.

Nancy Drew was my co-conspirator, my inspiration, someone who challenged and befriended me during the angst of the first  decade of my life, in a time before laptops and iPhones and constant internet connectivity and the endless barrage of the television. She met me in the quiet places in my house, held my attention, and pushed me to try harder, go farther, and think more creatively at a very formative and vulnerable age. And when I finally left that children’s room book section for the ‘Young Adult’ shelves (whose location was trepidatiously close to the Adult books consumed by my mother, a voracious reader herself), I remember the chagrin and nostalgia of leaving a roomful of well-known and closely loved friends behind, and the indebtedness I felt to Nancy Drew, who I knew would protect all the other books and characters in my absence. Losing the Drew series was a lot like losing an old friend at that relatively tender young age, but she and her co-conspirators opened the door for me to a whole host of other works, and life experiences lived between the pages of great and sometimes not so great works of literature, and for that I will always be tremendously grateful.

-M-

‘Out of Africa,’ Into Nepal

I am reading Out of Africa in Nepal. I realized this morning that it seems to be a habit of mine to read books about Africa while in other places, beautiful places which, were it not for the book, I would otherwise be intensely focused on.

I finished Barbara Kingsolver’s Poisonwood Bible (an excellent book) in Yosemite National Park’s Tuolomne Meadows several years back, in the days when I lived in a tent in the Sierra, and worked for the Forest Service. I remember how at the time I had to literally pull myself away from the end of the book as I sat on the bank of a little river there, separating myself from the work with a great shuddering inhalation of revival as I tried to come to terms with what the story had meant to me, and the way in which it had ended. I very clearly recall my surroundings – I had hidden myself away on the low, sandy part of the bank, so that casual viewers from the road would be unable to see my sitting along the side of the water, tucked down just low enough to become only a bump in the landscape. I recall as well exactly what the sky looked like, bright blue with low, rounded cumulus clouds as white as cotton against the sky.  As I regained awareness of my own presence and geographic place in the world, I raised my head and looking around me saw that I was, in fact, still in Yosemite. I appreciated how much more clearly I saw where I was and the opportunities that lay in front of me, back then, and Out of Africa has had much of the same effect on me in Nepal.

I brought several books with me this summer, many of which spent their year in a “to read” pile on my futon in New Haven, waiting for a day that never came. A few (including Out of Africa) I went out and bought specifically for this trip, knowing and hoping that I would encounter technology-free downtime, and that when sleeping outdoors or in places of modest accommodation, they would the perfect little gift to myself, a pathway to sleep and also to distraction, if needed. Among those I’ve brought from the futon pile but not yet read were Eiger Dreams, Pedagogy of the Oppressed, Writing Ethnographic Fieldnotes, and an autographed copy of Vandana Shiva’s Water Wars. Each made the cut for the trip for a different reason, each one included in order to serve a different purpose. Eiger Dreams, a collection of stories about mountain climbing was a gift from Cristi, prescient in its subject matter, which seemed an appropriate read for someone so close to the Himalaya; Pedagogy of the Oppressed was recommended and loaned by my friend Gabe from Yale after a late night of debating social change and politics over glasses of wine; Writing Ethnographic Fieldnotes was assigned (whoops!) for my Social Science Theory and Methods class in the fall, but didn’t seem relevant to my own work until very recently; and Water Wars I bought from the author herself when the Progressive Student Union I worked with as an undergraduate hosted her as a speaker, but I had previously put it down after beginning to read it because I didn’t know enough about the geography and places being referenced in India. Almost five years later now, I do know them, and am perhaps incidentally very interested in the subject of water access and availability in South Asia. And so it came along too.

The books I purchased for the occasion were of the same vein, in that there was no discernable central theme. Michael Pollan’s Omnivore’s Dilemma was supposed to be Botany of Desire, because a friend reading it at a research site years ago (I can no longer recall whether it was in Minnesota or California) raved about its contents. But when I opened Botany of Desire in the bookstore and saw one of the first chapters was all about apples, I simply didn’t feel it was what I was looking for, on this particular trip. I remember the first time I heard about Omnivore’s Dilemma, when my friend Emily at National Geographic, who I loved to pieces for our rapid-fire intellectual give-and-take, sent me an email one morning containing only the excerpt the NYTimes published, along with her thoughts on his dietary recommendations, which went as follows: Eat Food. Not too Much. Mostly Plants.

Everything Michael Pollan has written has come highly-recommended to me, over the years, and Omnivore’s Dilemma thus seemed a nice follow-on to Kingsolver’s Animal, Vegetable, Miracle, which was an incredible and thought-provoking book that I read last summer. My mother, in fact, probably still has it on her bedside table, where she left it after getting bogged down in the decidedly slow first chapter (which I warned her would happen…mom!)

Bird by Bird, which has a subtitle along the lines of Stories on Writing and Life, has come into and out of my life so many times that I considered it a matter of fate to pick it up, and laughed at the irony of it all when it came out of my backpack simply masticated by the sheer volume of things I had crammed in there with it. ‘Shitty First Drafts,’ Anne Lamott’s chapter about getting started as a writer, and the necessity of writing crap to get to the good stuff, was assigned to me in my undergraduate Writing Colleagues seminar, and five years later I’ve trucked the little paper photocopy all over the planet with me, trying to provoke myself into writing down some of the things I think as I experience the world. I brought it to Costa Rica last year hoping that I would take the opportunity to do some more substantial writing, and instead stumbled across the entire book on a bookswap shelf in a local coffeeshop, one lazy afternoon last summer in Puerto Jimenez, Costa Rica. I had no book with me I was willing to swap, however, and since the swap terms were clear and firm, I instead sat in place and read several chapters, becoming increasingly enamored with the work and the author until I left town, vowing to acquire my own copy in short order.

Out of Africa was a little bit different. I saw the end of the movie version of Out of Africa over one of the fall or winter holidays at my parents’ house this year, and was immensely moved by the story, the incredible, adventurous, determined, strong woman of whom it told, and the bittersweet ending to her experience abroad. I was moved as well by the relationships she shared in the Ngong hills of Africa, both with an array of other foreigners, and with the local tribes she comes to know, understand, protect and respect. Few movies affect me so deeply, and I found that in the weeks and months afterwards my thoughts often returned to Karen Blixen, and my desire to read her full story, in her own words. I knew the moment the movie finished that I would buy the book and read it closely, and find now that while I read it, as I did with the Poisonwood Bible, I often take leave of the book for a moment, closing its covers with a finger in place to hold the page, and clasp it unconsciously to my chest with a gasp, I am so moved by her story. The descriptiveness of the imagery, and the self-identification I feel with the narrator, rivets me, despite not being half the woman, or having half the courage, that she does.

When Blixen writes of standing and watching Denys Finch-Hatton (who I believe will become her lover, but I’m only on page 236 so don’t tell me!) in the dark after he’d shot two lions, and of how her hands had shaken while holding the torch guiding his rifle, despite her desire to be brave, and the way he gently, dryly, teased her for it later, the writing was so lucid I felt as if it were I who was in the moment, and could feel exactly the energy and affection with which she must have looked over at Denys, thrilled by the kill and the moment they shared there together, as true equals in the dark of an African night. Such gorgeous writing, and beautiful, inspirational, larger-than-life people.

It moves me too to think of how they must have felt leaving for a life in Africa, struggling to make a living and earn enough to keep their farm estates, while friends and family back home blazed forward in the comfort of the Industrial Age, never completely understanding what it was that they had experienced. Blixen writes of how her peers told her they felt a little bit like they had abandoned their country and communities at home, but were in fact fellow exiles, to her mind, and again I can relate so closely that it gives me pause, to let my mind wander a bit, and think about the choices we make in life, before returning to my reading. I think it is an important part of spending time abroad to wonder where you actually fit best, and to question whether there’s a culture or a place in the world that suits your nature more closely than the one you are born into.

Such a fantastic, thought-provoking book, and one which even as it pulls me into Africa gives me cause to think more deeply about Nepal, and about the way people of different cultures and expectations interact with one another when brought into the same small spaces. My experience in Nepal is sixteen and three quarters of a year shorter in duration, and drastically different than that of Blixen in Africa, but I take great solace in the small parallels between our experiences, and in her articulate, poetic expression of sentiments I could myself only stammer out, if I could articulate them at all.