Category Archives: Nepali Clothing

Biha, Nepali Style

It all began with several meters of magenta pink gauze, adorned with a meandering line of golden thread, encrusted with hand embroidery and little shiny blue sequins, all stitched in together to mimic flowers and vines. Add one jumbly, bouncy-jouncy plane ticket, two arms worth of choraa (bangles), and spin. Slowly. While Kanchan’s mom wraps me in the most beautiful fabric I have ever seen. Gorgeous magenta. Tulle-like, almost a ballerina, without the big flouncy skirt. Gita efficiently and diligently tucks the top of the fabric into my petticoat, a small, plain skirt I happily wore as I secretly danced around Kanchan’s room, just the petticoat, the little tightly hooked top, size 8 high heels on size 10 feet, and me. I feel like a princess. A Nepali princess.

This is not the point, but this is where my recollection starts. I remember magenta gauze, and contemplations of love and marriage. Which, I’ll have you know, go together like a horse and carriage.

Sudarshan is getting married. Hitched, as it were. Sudarshan is my friend from Yale, a wonderful Nepali man who was one of several Nepali friends to help orient me to this country, his home. And now I am wrapped in pink gauze like a present sent straight from Barbie’s Dream House, and headed to his wedding. The world is so strange and wonderful. So  unpredictable.

Tuesday night at 8:18pm I get this text:
“Hi Meredith, i tried to call u but with no success. I got engaged n getting married on friday. U are invited for friday and saturday. I’ll call later for details.”

I am intrigued. Perplexed. Elated! A wedding! In Nepal? But wait – to whom?!

An arranged marriage, I find out Wednesday morning, as I struggle with the moral implications of scratching field plans for three more days. I am a bad scientist, I think, but a good friend. I will have to remember to tell my advisor that, if he asks.

These are three short days, I think. Damn – there will be no sari for me. I told Kanchan to get married so I could wear a sari to her wedding, but she is as yet unpersuaded. Now there is no time to have my own made, and I’m mildly (very mildly) chagrined. I’m an outdoorsy, tough-girl, feminist who really likes to dress up. But after I decide I can’t afford to miss this amazing event, to which I have been so kindly invited, I realize I must fly tomorrow, to attend on the next day, which means there is no time to have my princess dress custom stitched.

Chaos. Bits of research mingle with a trip to Bagar at the other end of Pokhara – “Rekhadidi can I borrow a sari?” Tiny Rekha and I are optimistic until I try to cinch the top. No deal. My big American shoulders (and Grandma Trainor’s flabby upper arms) are not convinced that Rekha’s tiny blouses are meant for them. And in fact, they’re not. Rekha frantically buys me a plane ticket when I say all too calmly that I will pick one up tomorrow. No go. Thanks to Rekha I have the last ticket available to Kathmandu all day tomorrow, and got it by a hair. Crisis averted. I will be at the wedding, but maybe not dressed?

I pack a kurta suruwal, the traditional long shirt and trousers, but am quietly bummed not to dress in a culturally appropriate way (read: pretty). Like wearing jeans and a t-shirt to a black tie affair – maybe a visitor can get away with it, but it’s not exactly fitting.

The flight to Kathmandu is quick. You smelly, dusty, intriguing and complicated city – I am back. And so soon after leaving you. Ta-Da.

Glad to see Kanchan but she is busy –we both are. I buy much-needed topo maps before raiding her mother’s closet. Kanchan’s mother has a wardrobe full of saris. It is a little-girl-princess’ sweetest dream. I laugh and maybe even clap with elation. I was not the little-girl-princess – that was Rachie – but her nine year old incarnation would kill to play in this wardrobe. The fabrics are gorgeous, and the colors and patterns are vibrant. Just like Nepal.

I try on Gita’s custom-made blouses and they fit – it’s a miracle. None of us understand how, but we’re not too interested in trying. We find me a pink one (magenta!) and an orange one (creamsicle?) They are beautiful. Gita will help me put it on, so it doesn’t fall off, while Kanchan is at school and then work. Kanchan takes out all her gold jewelry and lends it to me so I will look like a real Nepali lady. I love her for it. She unwraps previously unopened packages of bangles for me, and lends me her favorite ring, made of an earring her grandmother had favored, which lost its pair. It is so beautiful I feel nervous. I never wear gold.

I am a perfectionist when dressing up. I want to replace my nose and ear piercing with gold like the Nepalis, but to do it right I’d have to switch the side (of my nose) with the piercing – Nepalis pierce on the left – I pierced the right. Someone should have told me that would be mighty inconvenient in Nepal someday, back when I went with a gaggle of first-year college girls to defy our parents and embrace our age. Bad planning.

I am swathed in pink tulle. Did I say that already? I take surreptitious photos of myself, which don’t come out right. I don’t care. This is fun, and I am so thankful to Kanchan and her mother for tolerating and enabling my desire to play dress up in their culture. Gita laughs that I am like a mannequin, I stand so still when she wraps the sari (itself just a long rectangle of fabric) around my waist and throws it over my shoulder. I am afraid to mess it all up, but they even have a matching bag. Cotton-candied-girly-happiness. I feel pretty.

Sudarshan’s wedding is phenomenal. I hesitate getting out of the car in the mud of the day (this is where I trip and fall, right?) but his cousin-brother proactively and kindly greets me and introduces me around. All male cousins are brothers, and all female cousins are sisters. This makes family introductions complicated but relationships sweeter. I walk into the venue, which has covered tent-walled patios, as well as a banquet hall. I am more nervous. Everyone is looking at me, I think, because I am a bideshi in a sari. Is it good or bad to want to look like you are of a culture from which you do not come?

I “Namashkar,” hands folded, until I’m pink in the face. Namashkar is Namaste with great respect. I don’t know who to greatly respect here, and so I greatly respect everyone. People are very kind to me about my “dherai sano” (very small) Nepali and pretty sari – they say both are “dherai ramro.” I think everyone else is looking pretty “dherai ramro” too. There are mostly elders there – we are waiting for the parade.

Forty minutes later a parade arrives. There are musicians – almost a drum core’s worth of drummers, brass, and a clarinetist who can whale. Or does he wail? They are amazing. I think they could school American professional musicians, they are so good. The drummers are just phenomenal, too. But they lose my attention. A white car drives up behind them, flanked and preceded by an extended family’s worth of women in auspiciously-colored red saris, all on foot. They come bearing gifts, like the three kings, except by the dozen, all foods carefully prepared and wrapped in red plastic wrap. And they are followed by Sudarshan.

The car is decorated with long strands of flowers and the initials ‘S & S’, written in streamers. Out steps someone whom I have never met before. He looks like a king, and holds himself like one, and it is just tremendous to behold. It is Sudarshan, and it is not. My friend who so innocuously wears jeans and American-style t-shirts is wearing a multi-colored (rangichangi!) pair of pants, shirt, and shoes, all made of the same woven fabric, the style of which is widely seen in topis (mens’ hats) here. He has a thick white band of fabric around his torso, from his upper ribs to the top of his hips, which seals the effect, emphasizing how lean and tall he is. Hair freshly cut, he wears a necklace made of grass around his neck, and another made of marigolds. His shoes are pointed and elfin slip-ons, and beneath the crest of his forehead, where his topi rests, there is a large tika, the deep red blessing his family, friends, and priest have begun to give him, which is made of rice mixed with yoghurt, red-dye, and other foods to make it stick. Sudarshan looks stunning. I am flabbergasted. It is unlike anything I have ever seen before in my life.

Perhaps nervous, he stands from the car and comes straight over to me, adoring friends and family watching with enthusiasm. I don’t know what to do – if he were American, or this were America, or any combination of the two, I would kiss his cheek, or hug him, but we are both in such very different roles from any for which I know the script. Does a woman in a sari hug a man about to be wedded? I play it safe and go with ‘no.’ Instead I stand feeling great fondness and awe and just gape. We talk about something that is nothing, like how I got there. I want to shout “Holy Crap, Sudarshan!” but smush it down inside. I attempt propriety.

Sudarshan gets married. It is a long process, and I am not supposed to be there. The women of the groom’s side (of which, on this day, I am one) are at his house, with his mother, who does not attend the wedding. They are wearing red in abundance, as I find out later, and they are dancing, and singing, and preparing the house for the arrival of the new resident – the bride. There are traditional tests to be set, foods to be put out, rice grains to be laid out in little piles on the floor. Ritual abounds.

Being a bideshi means I can stay at the wedding, though, and I watch rapt for almost all of the 5 hours it takes for the marriage ceremony to take place. I wish that I could write it out like the artist Maira Kalman would, and show it all in artistic glimpses, but I would never stop talking and my stories are already so long.

The rituals are glorious. There are relationships formed and broken; there are food and drink and tika prepared and drank and eaten and blessed and bestowed; there are tears on many sides, mine included. Ground is covered as the bride and groom walk around the center of the ceremonial space, with fire smoking in the middle; prayers read out at high speed by old Brahmin priests from both families; feet are washed; money given. The band trills and then builds with the emotion of the moment – I think they are playing my heartstrings like a movie would, as the music swells when Sudarshan puts an orangey powdery tika on the center of the forehead of his bride, the mark of a newlywed woman, which she wears only today – tomorrow it will be red. When he does it she cries. She left her family’s house this morning and will not return there to live again in this life. The transition, to my bideshi point of reference, is brutally abrupt. I think of how slowly I moved out of my own parents’ house, how unofficial the process is until the day when suddenly you realize that you do not live there anymore, and will not again.

The bride is gorgeous. She wears a red sari and copious amounts of beautiful gold,  her equally red veil flecked with shiny reflective sequins hanging low over her forehead, adorned by a gold ornament. Her hands are clasped much of the time, arms adorned with as many red and gold bangles as they can hold, and her gaze is fixed in a permanently downward direction, demure. I check in with Kanchan later – are Hindu women not supposed to look up or look excited while they are married? They are not. Oh good, I think. I didn’t know what to make of that. The next day I tell this to Sudarshan and his bride (who I see has beautiful eyes) and we laugh.

There is too much to tell. The wedding ends when the couple moves through a ritual to transition the woman’s primary relationship from her parents to her husband. She cries, and then when she gets into the car with Sudarshan, her mother sobs. Her daughter has left her home, and although she will see her again, this is for good. Sudarshan’s father brings a gorgeous, scripted, framed invitation to the young woman’s father, to invite him to the reception the former will host the next day. It is a formality, and the men embrace. Her father’s composure breaks at last, and my own chest shudders with emotion. The Nepalis are better prepared for this process –they anticipate the tears, even celebrate them gleefully as a critical part of the ceremony. I am crying silently between parked motorcycles, in a hot pink sari. It’s all so incredibly beautiful, and so devastatingly sad. I am so moved. I love ceremonies, although I don’t pay attention when I’m the one who is in them. My friend Anobha who is also from Yale and a Nepali tells me I will have to have a Nepali wedding, no matter who I marry. I tell her I’ll wear a red sari. It’s auspicious.

I’m a little obsessed with the saris.

I am invited back to Sudarshan’s house, and I go, although the sari is starting to feel like those party dresses my mother put us in when we were kids, with big silky bows that were so pretty until they were so annoying because I just wanted to be wearing pants. I remind myself to relish the opportunity to wear one, though, and I do.

I have no idea what I am in for at Sudarshan’s. We board a bus, rented for the occasion. I still hear the band. It reverberates in my head – god those drums were good. No, wait – it reverberates on the ceiling!! THE BAND IS ON THE ROOF OF THE BUS. I am ecstatic. I laugh out loud. Sudarshan’s extended family members grin at my pleasure, the young teenagers sing Nepali songs extra loud, and everyone we pass stops to look. Most smile and understand and share the joy. I can see a single black and white sneaker hanging over the edge of the bus’ roof, its owner trumpeting away as we sway and hustled through the bump and bustle of Kathmandu. This moment is surreal, I think. How phenomenal.

We stop at an intersection – everyone is getting off. I go with them. “Dance with me!” call Sudarshan’s bainiharu, his many cousin-sisters and cousin-of-cousin’s-sisters. We are to form our own parade, and walk behind the band, in front of Sudarshan’s car, to his home. What an event! I decide there will be a drumcore at my wedding. Where I will wear a red sari. And a tikka made of rice, dye, and yoghurt. And bangles.

I dance a bit with the bainis (little sisters) but feel sheepish, am afraid to step on my sari and inadvertently pull it off, am wearing shoes two sizes too small, and am already being stared at by everyone we pass. There is a GIANT bideshi wearing a sari in the procession! I think they must whisper. “She’s huuuge!” I tower over the festivities like the giant Uncle Sam on the 4th of July. I mostly don’t mind.

We have fun. The music is great. Everyone gets into it. Motorcycles roll by, dogs nip at heels, a cow eyeballs us and chews lazily. I stumble along the cobblestone road in my little heels, feverish with the immense heat, fun, and celebration. I am drenched in sweat. So is the sari. We get to Sudarshan’s house and we are dancing in the street, although it’s really a lane. I am pulled suddenly into the backyard by Sudarshan’s brother to do something that is a Nepali word I don’t know or catch. But I go willingly.

I am stunned moments later to find myself in the center of a 3 foot by 2 foot rectangle of uneven sidewalk space, surrounded by more Nepali didis (older women) than I can possibly conceive of. Every inch of space from five feet off the ground to two or three feet off the ground is occupied by a continuous sea of women’s faces, each one of them beaming and expectant. There is every age, size, type of dress – the women might as well be dropping in commando-style from out of the treetops, there are so many of them. And they are all in motion. They dance to greet the bride, to welcome her home.

In fact, as I look, I see there are in fact aunties on the rooftops, lining them to take in the festivities. It is hot but now we are dancing – the women sing and drum, so well, and in the center other women dance. I dance. My shoes come off. The purse is taken away. I just flow with it. I mimic the movements of my hostesses, and am dancing with Sudarshan’s mother. She celebrates in style, a long rope of seaweed-colored green glass beads running over shoulder and down around her opposite hip, like the sash of a proud mother. This is her day, too, and you can tell.

Our arms are up in the air, and our be-bangled wrists twist in circles to make the choraa flash and clink in celebration, as we spin in circles and the long tails of the saris arc gracefully behind. The Nepali women I can see delight in my participation, so I let myself go. I stop watching, and I just dance.

A short while later I manage to escape the ecstatic circle of celebrants, and video the meeting of the parties – the men come from dancing with one another in the front, the women from the back, and they meet on the walkway between the houses, where we crush all of the plants with the steps of hundreds of feet. The music builds, the newlyweds walk through the mix, bride with head-bowed, groom narrowly avoiding being swept into the dancing crowd. Only his side and his family is present today – the bride’s family is at home, quiet, and a little sad.

There is more ceremony before the bride can enter the house, and when she does she steps from circular pile of rice and grains to circular pile, as if they were flagstones in a garden walk. When she enters Sudarshan’s room she must find her key to the home in a pile of rice, and Sudarshan’s mother tests her new daughter-in-law, kindly. I note with happy warmth the kindly way in which the women in particular receive the new family member – they have been here before. They know the fear and the hope and the excitement, and they are even gentler to the bride than the extended family’s men are, when they give the newlyweds their gifts. Every family member gives Sudarshan and Santa an envelope or a gift apiece. Santa’s job is to lay her forehead to the giver’s bare feet, in thanks, but many of those gifting catch her forehead in their hands, which both suffices and provides a reprieve, and also a benediction. The women in particular catch her forehead higher than the men, sometimes bowing to her instead, and smiling generously into her eyes. “Don’t be scared,” I think their eyes say. “We receive you with love.”

The gifts of the immediate family take a long, long time, and I am exhausted. I sit in the small room in a privileged seat, next to the bride and groom, that I may take it all in. At the end Sudarshan arranges a ride for me back to the road, and instead, I am taken all the way back to Kanchan’s. I am so thankful, because I am so, so tired.

And so the gorgeous day, full of so much mystique, intrigue, and ceremony, closes on me thus:

A bideshi, swathed in a length of pink fabric, now moist with the sweat of a hundred emotions and about as many dance steps, gathers her sari between her legs, clasping the extra fabric tightly there to prevent it from becoming entangled in the wheels of the motorcycle, and sits precariously, carefully, elatedly side-saddle, on the back of the young uncle’s motorcycle. Oversized feet peeking out of high heels are tucked precipitously sideways onto the slender platform for tiny, graceful Nepali feet, and off we go. Into the night, side-saddle, a blur of pink and pale white skin, heels hooked in wherever they’ll fit, one hand on the man’s shoulder, another on the back of the seat, holding on, hard. People turn to look in surprise at the bideshi in a sari, on the back of a bike, and away into the dusk and chaos of Kathmandu’s traffic we drive, fast, as my heart simultaneously clenches down with fear and leaps out of me with the sheer joy and elation of the moment, and the day.

And that, my friends, was the end of Sudarshan’s wedding.

-M-

A Little Piece of Perfection

Yesterday was a pitch perfect day, and one I relished, after so much frustration with the computer and desk-based part of my research. I have been spending untold amounts of time indoors right now, finalizing decisions about my research plan, timeline, and most importantly, field sites, hovering over three topo maps of Kaski District (in which Pokhara and the Institute of Forestry are located), for more time than I’d like to admit, with less to show for it than I expected. I wasn’t down, per se, but I needed a good day. And that is exactly what I got.

At long last, I feel like I’m starting to get there with my fieldwork prep, and am hoping to spend much less time on my laptop and indoors as of late this week, when I’ll head into the field to do a practice run on my sampling methods, and see how it goes, how long it takes, and what I need to change. The forests are so close I can taste them. Kind of.

Yesterday started out pretty normally, what with me being forced out of bed by the intense and oppressive heat, which seems to seep in through the windows and under my door shortly before 8 am every day. I generally try to begin my day at 7, so as to maximize my time before breakfast at 10. Everyone else calls the first meal of the day “lunch,” but since it’s all daal bhaat all the time, you may as well call it dinner for all it really matters. Despite two fans going at all times, sucking up Nepal’s limited electricity and spitting it back at me in the form of regular waves of warm air pulsing in my direction, I haven’t managed to stay in bed past 8. The sun comes up at around 5 or 5:30 in the morning, so the day is bright and well-begun by the time I can bring myself to roll out of bed and under the showerhead, where I briefly rinse off before beginning my day. Most of the Nepalis have by this time been up since the dawning of sun, and many will have gone for exercise, walking or jogging through the streets of the city while they’re still quiet, or to the little temple adjacent to my building, for Puja (prayer). Sometimes both.

I spent a little bit of time posting two excessively long old blog posts, answered some email, and downloaded a proposal I’d promised to edit for a professor friend here. I am becoming quite the editor of various faculty and administrators’ writing, and as I type there sits next to me on the table what I understand to be a newspaper article, titled ‘Agriculture in Nepal,’ which awaits my review. I’m not spending an excessive amount of time doing this editing, but it seems to me that to help with something that comes so easily to me is to do a very small favor for a community of people who have welcomed me very warmly. And so, I edit. A lot.

After daal bhaat (and it was paneer daal bhaat, which means a type of cheese – score!), I returned to my quarters and did a bit of editing, becoming restless (and sweaty) as the morning and the heat proceeded, hand in hand. I was thinking about how I needed to find somewhere else to go to do writing and work, sometime soon, because as it is now when I stay here in the guesthouse apartment to do work on my computer, I am attached to the wall by ethernet cord (an unfamiliar feeling for an American), making me feel glued to one particular seat in our common area, which in turn makes me even more agitated than I might otherwise be. The tables here are short, coffee-table-style, so there are few good ways to set up a computer for typing, and I often end up with my laptop on my lap, which is simply torturous for the amount of heat the thing gives off. Way to go, Apple.

But yesterday, shortly after completing the proposal review – on which I think I did a very good job, to be truthful, and through which I realized how much I’ve learned this year – Professor Singh-sir, one of the professors who has been kind and accommodating in helping me out around campus, came by and helped me think through my field site selection a bit (I am looking to sample twelve different forests, and they have to be of approximately the same species composition, facing the same compass direction, at approximately the same elevation, and reasonably close to one another – no mean feat), which was exactly what I needed as I sat struggling to push through a mental block in my thinking on sites. Professor Singh-sir helped me outline my next steps and filled in the blanks on who I would need to talk to to do so, and then invited me to a gathering at his house at 5 (by which he meant 6 in Nepali time) of the academic community’s “women’s group.” He made clear to me this wasn’t a gathering of the students, but of the women of the community – mostly professors’ wives, but with a few professors and female staff members thrown in as well.

I was touched and pleased to be invited, as my own company has been a little redundant, at present, and decided that since almost all of the professor’s wives would be wearing kurta suruwal, the traditional dress of a long shirt (it goes to mid-thigh), balloon-like cotton pants, and a scarf worn backwards over the shoulders (so the ends are both hanging down your back and the middle curves around your neckline, almost like a necklace made of wispy scarf material), that I would, too. I had purchased three kurta suruwal the last time I was in Nepal, so that I could wear them in the villages while doing my field research. I’m unclear at present as to whether this is a necessary and beneficial step, but was relieved at present to get out of my sweat-soaked jeans (which I’ve been wearing rolled to just below the knees, for propriety), and into some billowy cotton fabric which would breath much more easily. I had been contemplating wearing kurta suruwal for days, but the students here dress very much like students would in the contemporary US (with the exception of a “New Kids on the Block” t-shirt I caught sight of in the cafeteria this morning – a little behind on the times) and the young women do not themselves wear kurta. So it seemed a little bit bizarre to wear one myself among so many young women who dress like me, the bideshi.

At the appointed hour, then, I donned my very pretty aquamarine blue kurta, pinned up my hair, matched a set of earrings that were a gift from Kathayoon for my birthday, and quite self-consciously strode out and down the little row of professors’ and staff apartments, which are arrayed as condos would be along a narrow street, each constructed after the same exact model but enhanced and adorned by the owner’s plants, motorcycles, and children playing in the yards. As I went I was very conscious of the members of various families stepping to the front doors and windows to see the campus bideshi wandering down their way in her kurta, probably wondering how I had come across one in such a large size. I kept my shoulders back, and head up despite my slight self-consciousness, and met Professor Singh outside his apartment, where he helped to re-connect me to one of the young women scientists here, who is very, very good at what she does, and whose father is on the staff at IOF. It was very nice to see her (although I felt a bit goofy and oversized in my American-size kurta), and with Professor Singh-sir’s encouragement, we both made our way into the women’s group event, which turned out to be a mothers’ group.

Mothers’ groups are ubiquitous in Nepal, particularly in the villages. Becoming a member (and thus a mother) is a point of incredible pride in Nepali culture, and in fact the word for “woman” is traditionally not applied to a woman until she is married. So if you never marry, or you marry late in life, you would traditionally still be referred to as a “girl.” The same goes for men, who are boys until they marry. So you can have a 35 year old “boy” and a 16 year-old “woman,” but I, who have been referring to myself as a “woman” since a particularly thoughtful decision when I was 23 or 24, am still a “girl” here. I actually took the time to explain to my friend Deepak (a boy) the other day whereabouts the line is between “girl” and “woman” in western culture, and why calling an independent, confident, competent woman like myself a girl is a little bit insulting, when it happens in my own country. When it happens in Nepal, though, it’s obviously just fine.

So with little ceremony but a lot of jittery nerves, Neeru and I stepped out of our own shoes and past the large pile of shiny flip-flops and sandals that mark the doorway of a women’s gathering, and stepped into a dherai garmi (very warm) room fully of happily chatting, kurta suruwal-clad women, sitting on the floor with legs folded, leaning up against one another’s knees, and generally sprawled throughout the room in a little grouping of happy motherhood, catching up with one another and chatting animatedly until we entered, and the room fell silent. It was a little like being adopted by about twenty “aunties” at once, as I looked around and saw to my relief the familiar and friendly faces of professors’ wives I’d already met, including three I know somewhat well. Neeru shepherded me towards a seat on the fringe of the group, and very kindly took questions from those who had not yet met me, to give me a moment to gather my thoughts (and speaking skills) before debuting some pretty mediocre Nepali in front of all of these wonderful, beautifully dressed older women.

But debut those mediocre Nepali skills I did, and stammered through a weak introduction of myself in Nepali, while they all sat quietly listening and observing, until Neeru very generously took over, and added the relevant details I’d neglected to mention, like that I’m a graduate student, I’m here for research, I’m from “Ale University,” etc. The women there were all very warm and friendly, and as I watched and normal conversation resumed, they took turns making contributions to a fund they use to do charitable works and to learn crafts, writing each contribution down into a large book, and putting their 200 rupees monthly donation ($2.60, or half the cost of a full day’s work by a field assistant) into a plastic bag at one woman’s feet. It was pretty interesting, to tell the truth, and I honed in on as much of the Nepali conversation as I could.

Adults in Nepal are much more flexible than in the United States, easily and comfortably sprawling on the floor or leaning up against a seated friend’s knees while sitting in a group. Nepali men and women, boys and girls, are much more touchy-feely than Americans are, which I think is tremendous. Boys here walk around holding hands, or, cuter, with their arms around each other’s shoulders and waists, as a sign of friendship, as do girls. Men and women would generally not walk holding hands or arm in arm unless they were married, but they do so extensively with their own gender. It seems like it would make friendships within your own gender closer (try arguing with someone you just had your arms wrapped around, or were holding hands with), and probably fills in the gaps in touch and human contact that Americans fill with lovers and boyfriends before marriage. I find it really nice, and was always really grateful when Kanchan would take my hand in hers in Kathmandu before we crossed the street. Without that hand to hold, I may well have taken a taxi to the other side, my first few days in Nepal, and would definitely have risked being hit by one of the dozens of motorized and quasi-mechanized conveyances that Nepalis employ. Beyond safety, though, its just nice. Human contact is never really a bad thing.

At the women’s event I sat quietly next to Neeru for awhile, making conversation and straining to catch the rapid-fire conversation of my Nepali hostess and her friends, which turned out to be the problem of disposing of plastic, and how to manage garbage here. A subject after my own heart (ah, garbage!), it is always great to hear people talking about how to resolve environmental issues in their own communities, and it was a lot of fun to kind of “listen in” on. While we listened and chatted we were brought little metal plates called thali full of all kinds of Nepali khana (food): a kind of beaten rice that ends up dry and crunchy, about the size of popcorn; a thin, dry, papery bread akin to what you’d have in Indian food restaurants, which is my favorite because it is surprisingly flavorful; three totally American-style store-bought cookies with vanilla frosting in the middle; and a final small Nepali item that eludes me at the moment. It was a lot of food, and was accompanied by sliced mangos (of which I ate a whopping five yesterday!); ciya, or tea with milk and more sugar than I care to acknowledge; and glasses of “juice” that were really water with something akin to Tang mixed in. It was absolutely lovely, and I ate all of it.

After a short while I filled the women of the community in on Rajesh, one of my peers and a friend from the Forestry School, who had emailed me that he had shaken the hand of Hillary Clinton at Yale’s graduation. We had a funny moment when I asked if the women gathered knew of Hillary Clinton (as I knew they must), and everyone looked confused until Neeru “translated,” affecting a Nepali accent and translating ‘Hillary Clinton’ from English, to English. Upon which everyone smiled knowingly, and proudly. I was glad to be able to share news with them about a member of their community of whom they are so proud, and it has been fun to see how everyone here and there is connected. Another friend from my class is half Nepali, and one day I was eating breakfast at the house of a faculty member here, and he said he went to the University of Maine Orono, where that classmate’s father is on the faculty. On a whim, I asked him if he perhaps knew a Professor Pendse, or his daughter Sabina, and fifteen minutes later I was staring at a very current photo of my friend from the US, who I later emailed at her internship in Italy to tell her I’d seen the picture, and that I’d met the family. It is indeed a small world, after all.

After eating at the party Neeru and I took a walk to a lookout point that I don’t know how to spell but which is pronounced “Too-toong-gah,” a deep gorge formed by the Setikhola (Seti river) carving its way through Pokhara. It’s a pretty lookout point at which many people gather as the day ends, and we sat there happily talking about field research and field inventories in our kurta suruwals, connected by our dorky passion for measuring trees. Neeru is a pretty, diminuitive woman with nervous eyes, who absolutely comes alive while discussing forest science. This woman is so capable. I am in awe of her, and many of the other students here. She pulled facts, measurements, dimensions, and tree species out of thin air, is familiar with the Village Development Committees (VDCs) managing the community forests all over the valley, and just really knows her stuff. It’s an amazing thing to watch someone who has really found their space in the world as they so completely own it, and I am incredibly glad for her guidance and companionship.

As we sat there a younger male student named Bishwa came along, who had invited me to that same spot earlier in the day, but who I assumed had forgotten to call me before he came, when in fact he was just operating on Nepali time. Bishwa looked perhaps a little bummed I hadn’t accompanied him to see Tootoonggah for the first time, but cheered up a bit when I asked him to join us in the sitting, and inquired as to how he liked his new American music. A day or two before Bishwa had traded me a pirated copy of ‘Caravan,’ a gorgeous movie filmed in Nepal that was, as any Nepali you bring it up with will tell you, nominated for an Academy Award (as well it should have been). I in turn gave Bishwa some funky music (Aretha Franklin and Ani Difranco) and some of the pop I’ve gotten from Kathayoon this year, because he kept asking me questions about American bands and pop culture I hadn’t heard or listened to since high school – Linkin’ Park, anybody?

I gave him what could easily be termed the “Anti-V-Day playlist,” for those who know what I’m referring to, which is to say a mix compiled for a party the girls of my house threw this past Valentine’s Day. It’s a saccharine sweet, pop-princess meets electronica mix that’s fun to dance to, which I thought would suit his tastes well (Bishwa told me he likes Britney Spears, Christina Aguilera, and I think Celine Dion when I first met him – I really didn’t know what to say in response). I exercised just enough tact not to pass along such 827 favorites as “I Kissed a Girl” and “Take Me on the Floor,” but did give him a sampling of Lily Allen, including “LDN.” And let me tell you, it’s an unfortunate moment when a sweetheart of a Nepali kid (he’s 22) asks you to translate the lyric, “fella lookin’ dapper when his sitting with his napper then I see it’s a pimp and his crackwhore.”

Regrettable lyrics aside (thanks Lily), it was a really pleasant, nice ending to an enjoyable afternoon, and I was delighted to be reunited with Neeru, and to have coincidentally met up with Bishwa. Upon returning to campus I headed off to the cafeteria to catch the tail end of dinner, and met up with Professor Abadesh Singh-sir and his wife (my hostess in the afternoon), and walked with them in the cooling air, a distinctly Nepali habit. All the professors and their wives (who dress up for the occasion) go out walking in the evening, strolling through the campus and sometimes out onto the main streets as well, to get some exercise and enjoy the air. Professor Singh-sir had that day gone to the locksmith to get me a set of keys to his program’s office, which was created with Yale’s support, and where I am now pleased to be able to work.

And the night went on this way. From Neeru I had joined Professor Singh-sir, and from Professor Singh-sir and his wife I encountered the M.Sc. students who are my level and who dined in the cafeteria at the same time I did. We’d just begun to become friends when they’d invited me to stop by earlier this week, to my great delight, and on this night I ran into Deepa, one of the women, and two of her male friends. I felt a little bit nervous because I was still in my kurta and they were in a tshirt and jeans, but they said hello and told me my kurta was nice. I told them I had wanted to wear one of the kurtas for days, but felt silly wearing one when they themselves didn’t, at which Deepa came over and took me by the hand, and told me they had just been discussing how beautiful I looked, like a proper Nepali. And my heart just soared. Not because of looking beautiful in a kurta, or being a proper Nepali (okay maybe a little about being a proper Nepali), but because it was just the most wonderful day from top to bottom. I feel so at home on this campus, where I so obviously was not actually at home in the least, and so glad to have ended up here.

From Deepa and her friends I went to the cafeteria, and the cafeteria ladies I had met earlier in the day greeted me with excitement about my kurta, asking me where I had purchased it, telling me it was very nice, etc. It was such fun. After a quick dinner of daal bhaat and a few more kind comments from the cafeteria staff (who think I am either very, very, funny, or a little bit weird – perhaps both), I headed back to my guesthouse, where I was met by Deepak, who had been calling me to no avail, as that particular kurta was sewn without pockets. He called into my open door while I was washing some clothes in a bucket in the bathroom, and when bid to enter came in to encounter me there, sweaty, doing laundry Nepali-style, and clad in a kurta, and was, suffice it to say, very surprised. He told me I made a “Ramro Nepali keti” (good or nice Nepali girl), and we decided on impulse to take his motorcycle for a ride in the dark (very slowly, he promised) and go buy some beer to bring back to the guesthouse.

Fifteen minutes later we were gliding slowly through the dark of night, stars clear in the sky above, motorcycle creating little cooling currents of wind, me in a kurta suruwal, and it was all I could do to think, “Is this really my life?” I put my head back and looked up at the stars as we rolled around through the dark of a rare cloudless night in Pokhara, cool breeze blowing through my hair, passing looming pipal and bari trees, under which the people usually come to rest and talk,. Cows slept, huking dark masses along the sides of the streets, dogs barked lazily in the lanes, and the occasional other motorcycle passed quickly through the dark. It was, suffice it to say, absolutely perfect. All I could think while on the back of the bike was how much I wanted to hold onto the perfection that was that afternoon, and savor it as a memory worth coming back to time and time again.

-M-

…And Then I Dyed My Butt Blue

Truth be told, the title says it all. I almost don’t even know where to start on this post, if only because I still don’t quite understand how I did something so foolish. So bear with me…

The days have been hot. Stultifyingly hot. An entire campus of nappers sleeping through the afternoon, shirts and clothes drenched in sweat as their bodies give up the ghost and sleep it off, hot. And I have been wearing jeans. Everyday. And they make me (more) hot.

So in a moment of not-so-quiet desperation, I decided that I would go to Lakeside, aka Tourist-ville, and see if I couldn’t find, in this country of modestly dressed women, a pair of shorts. As I have mentioned before, one of my greatest oversights in packing was putting aside a small black pair of mesh shorts, which have made every trip before and will now make every trip in the future, because I decided at the time that they were potentially indecent and too…well, short.

What I forgot in that moment at 4am, when I put them aside, was the value of black soccer shorts for two things. The first, for calling them bathing suit bottoms and wearing them swimming with my sportsbra (and now my secret’s out! The shame, the shame!), and the second, for sleeping in. Especially in countries where the weather can get hot. Cue the memory of me looking up the mean monthly temperatures for Pokhara, Nepal, and apparently not understanding a thing I read. Because lordy, it is HOT. And I could have used those shorts.

So I decided that in Lakeside they would perhaps sell pairs of shorts, if only for swimming, on the relatively cheap. Lakeside’s prices are outlandish in Nepali terms, but I find that sometimes in the middle of negotiating a final price for this or that piece of clothing, I realize that the question is of whether it will be $2.50 or $3.00, and am surprised enough to pay the higher price. Lakeside seemed like a safe (and my only) bet for shorts, and so off I went, to track some down, on a day when I had more legitimate errands to run there as well.

But as it turns out, Lakeside is still chaste enough to only sell skirts, and not to sell any that run shorter than just above the knee (which is still pretty inappropriately short here). After a good deal of sifting through faux North Face jackets and strangely humorous Nepali takes on western-style clothing (which I totally plan on going back to buy later for the FES Box ‘O’ Fun), I eventually came upon a very basic blue wrap skirt, which the Dai (older brother) told me was rupees 300, or $4 US. I bought it right then and there, thinking that at least I could wear something shorter and thinner than my cumbersome, stupidly warm jeans, and that at worst I could use it as a kind of easy to grab wrap, in case someone knocks at my door when I was sleeping, and under-dressed.

Pleased with my purchase, and my Nepali, I made my way home to Ban Campus and, I’m embarrassed to admit, put the skirt right on, wearing it for the rest of the day, despite the fact that I knew deep down that the thing was just a tad too short. I was too hot for perfect propriety, I decided, and resigned myself to bending one rule of cultural adherence only on the days which exceeded 100 degrees – which has been most of them, as of late.

Back on Ban Campus I wore my little skirt that first day, and then wore it again the next, although both times with a proper top – never with a tank top alone, for example. Always with a shirt with sleeves, and never one that alludes to the presence of breasts. I wondered as I dressed on several of these days if when I returned to the US I would dress in that much more chaste of a manner, and if I’d ever be able to wear a tank top as a regular shirt without feeling self-conscious, again.

At this point the heat was so horrendous that I and many others had taken to wearing a soaking wet piece of cloth around our necks during the day, to cool the body and also use to wipe off the face every few minutes, lest it start to drip. And so as I sat and typed on my computer in my little skirt, water droplets began to fall into my lap, and onto my skirt. I noticed after a little while that the colors of the skirt where the water droplets hit had run a little bit, but paid it no mind. I was cool, and that was what mattered.

And so later that night, as I prepared to head towards bed from my shower, I wrapped the little skirt around me and tied the knot, donning the now-customary soaking wet tshirt I’d just taken from under the showerhead, and making my way into my room. I sat on the end of my bed for a moment, and then in turning to grab my laptop from the other side noticed that there was now a large, fluorescent blue wet mark under where I had been sitting – like I had peed the color of a highlighter. And I realized in that moment that if there was that much dye on my bedsheet, where I’d been sitting for a millisecond, it was pretty likely that there’d be some long-lasting bright blue dye somewhere else. And oh.my.goodness(!) is there.

I went straight into the bathroom and took the skirt off, looked at my hips and behind in the mirror, put the skirt back on, went right back into my room to get a camera, and returned to the bathroom. There is simply no other way to say it – the skin of my ass, and a thick ribbon of flesh around my waist where the strings “wrapped” most tightly, were a fluorescent, glowing, aquamarine blue.

About twenty-minutes of scrubbing and a lot of muffled laughter and washed out digital photos later, the skin of my lower half is now closer in hue to my well-worn and washed-out blue jeans than to the fluorescent sign over a Miami nightclub, the skirt is taking a long soak in a large bucket of water, and I…am sleeping once again in my cutoff sweatpants, under which if you checked, you’d see a peculiarly colored bit of blue bideshi butt.

Oh Nepal. You do keep me on my toes, don’t you?

-M-
[Editor’s Note: Five rinses in an entire bucket of water later, the skirt finally stopped leaching fluorescent blue the color of food dye. Good thing I didn’t sleep in that sucker, eh?]